‘Dancing Words’ by Robin Clare WED 28.03.12



“The man with a turntable and a few records was king”
Beth Lesser, The rise of Jamaican dancehall culture

Hailing from Jamaica (via Belize) and now based in Sydney, Robin Clare’s work is inspired by dancehall culture and the advertising of it, specifically the brilliant aesthetics of Jamaican party promotions. For her latest series dubbed Dancing Words, Robin takes inspiration from popular dances such as Pon Di River, Pon Di Bank, the Butterfly and Dutty Wine with repetitive prints illustrating the dance movements while exploring themes surrounding dancehall culture.

Her work explores the scope of imagery that has been used throughout the decades since Jamaican music hit the worlds stage. The range covers large scale paintings referencing sometimes outrageous party names and the current slick and sexy imagery that surrounds the scene today. Mid size pieces focusing on the pop culture that stems from the scene. To small screen prints that hark back to the rough and ready aesthetic of 1970′s era reggae promotion when sound systems travelled around the country on the back of beat up old pick up trucks and make shift recording studios and record pressing factories were housed in derelict or abandoned buildings.

‘BOLD WILL HOLD’ PREVIEW: Starts 6pm Tonight

WED 21ST MARCH: ‘BOLD WILL HOLD’ CORY OHRMAN & EDGIL PAGADUAN.

As tattooing has emerged from the grimy recesses of the city, what was previously the mark of undesirable types is now sported by school teachers, doctors and soccer mums. It is craft steeped in tradition and surrounded by secrecy and the road to becoming a well recognized and skilled tattooist is long and arduous.

The Tate brings tattooing to the inner west, presenting a mural and prints from two young tattooers from different corners of Sydney and different stages of their careers, Cory Ohrman and Edgil Pagaduan.

EXHIBITION RUNS UNTIL SUN 24 . MAR . 2012

Enq: CHRIS.LOUTFY@PEERGROUPMEDIA.COM

TGTN: OPENING SHOW OF THE TATE. Photo recap

More photos here

THERE GOES THE NEIGHBOURHOOD PREVIEW. Starts tonight 6pm

Starts tonight at THE TATE. 345 Glebe Pt Rd, Glebe

THERE GOES THE NEIGHBOURHOOD: THIS WEDNESDAY 6PM

The Tate presents its inaugural opening show, a group exhibition of mixed works by artists and friends of curators, Marty Routledge & Christopher Loutfy. There Goes The Neighbourhood is an invitation to the creative community to take back ownership of the once-bohemian inner west suburb of Glebe.

The carefully considered selection of works in the show champions the variety of practices of the star line-up of Sydney-based contemporary fine artists.

From the street notoriety of internationally recognised artists, Numskull and Beastman, to the incredibly advanced galactic space monsters of 6-year old, Max Treffkorn, There Goes The Neighbourhood is an opportunity to christen the new gallery with an exciting collection of upcoming and established Sydney artists. Other work includes Robin Hearfield’s portrait photography of Glebe’s housing commission children, juxtaposed with the typographic delights of Luca Ionescu and Toko Design Studio. Also adding to the mix are Sydney curators and practicing artists, Joseph Allen Shea, Damian Aisotrope, Marty Routledge, Kyle Montgomery and Chris Loutfy.

‘There Goes The Neighbourhood’ Group Exhibition at The Tate (upstairs at the Toxteth).
Opening reception: Wednesday March 14th, 6-9pm.
Exhibition is open for four days only, Wednesday March 14th – Sunday March 19th.

THE TATE @ THE TOXTETH: GLEBE’S NEW ART SPACE FOR THE CREATIVE COMMUNITY

The Tate at Glebe’s renowned hotel, The Toxteth, is the latest addition to the inner west’s visual arts scene. Comprising of a rent-free, commission-free gallery space as well as a set of no-rent art studios, The Tate will house a curated family of artists from a range of disciplines and backgrounds, with the objective of re-invigorating Sydney’s arts and cultural scene.

The Tate is another initiative from the team behind Sydney’s Lo-Fi Collective: co-founded by Peer Group and Riversdale Group and co-curated by Marty Routledge and Christopher Loutfy.

As the gentrification avalanche tumbles down the hills from the Eastern Suburbs, the known creative precincts of Surry Hills and Darlinghurst are being pushed further to Redfern and Darlington. Following the success of Lo-Fi, as well as The Standard, Go Font Yr Self and Self Est., the founders see The Tate as yet another step in the process of addressing the distance between Sydney’s arts education system and the art industry, as well as bridging the physical gap between Sydney’s inner west and the inner city.

The Tate will hold new openings weekly, embracing grass roots talent from within the establishment by means of draft picks from our arts education system. The Tate applies the same free gallery structure as its sister gallery, Lo-Fi Collective, serving as a stepping stone space for 2nd year graduates to host their first solo or group shows.

The Tate’s five no-rent studios will be made available to artists of varying experience and ability working across a range of mediums and formats, selected on the basis of applications. The Tate’s curators work closely with faculty members of the universities specialising in visual arts such as COFA, SCA, UNSW and ENMORE TAFE, developing unique opportunities for students to work and exhibit off-campus in a uni-friendly environment.

Artists can apply for shows and spaces by emailing their CV and examples of work to chris.loutfy@peergroupmedia.com.

Located on the top floor of The Toxteth hotel at 345 Glebe Point Road, The Tate also lays claim to an historic pub, meaning bar and food on site. Drawing on Sydney’s burgeoning creative community (both physical and online) and running a full program of events, The Tate hopes to expand this community and build pathways for young artists to further develop their creativity.

The landmark Toxteth Hotel was recently acquired by Riversdale Group. One of the fastest growing publican groups, Riversdale Group is known for re-injecting energy into Sydney’s forgotten venues and heritage sites.

“With each of our venues, we try hard to understand the community that we’re in and create something that reflects that community’s own personality”, explains Paddy Coughlan, CEO of Riversdale Group.

“When we took on The Toxteth at Glebe, a gallery upstairs struck me as a great way to continue to support young artists and engage with Glebe’s student population”.

A core objective of Riversdale Group is to reinvigorate Sydney’s arts and cultural scene. Supporting partner, Peer Group Media shares this aim, having executed several key visual arts projects in Sydney over the past 3 years. These include: Go Font Ur Self, a 2-year old nationwide tour of type-based artworks by both local and international typographers; Self Est. (self established), a 4-day micro-festival in Surry Hills comprising a series of small events, exhibits and talks and Lo-Fi Collective, a weekly showcase of low-brow artists in a huge, inner-city New York-style attic space.

Riversdale Group’s other venues include: Lo-Fi and The Standard at the Kinselas Building, Taylor Square; The Bellevue, Paddington; The Unity Hall, Balmain and the Peakhurst Inn.

The Tate @ The Toxteth will hold its inaugural launch exhibition on Wednesday, March 14th

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